And while she admits to never having felt comfortable on the stage, her performances show otherwise.Born on April 19, 1965, Opera Wire takes a look at some of her unforgettable roles on stage.
And while she admits to never having felt comfortable on the stage, her performances show otherwise.Born on April 19, 1965, Opera Wire takes a look at some of her unforgettable roles on stage.You may not hear bel canto but you will hear beautiful singing.Tags: Essay On ServicesResearch Paper On Same-Sex MarriageExample Of Good College EssayInvestor Ready Business PlanWhat Is An Abstract In An Apa Research PaperSurvey DissertationMillenium Problem SolvedVisual Analysis Essay On A MovieA Book Review
Florez may not be a surprising artist, but he is a wonderfully consistent one, and his sheer technical accuracy is always a joy.
As Tonio, he was at his most charming and relaxed, tossing off the top C circus act of his Act 1 aria as though it was the easiest thing in the world and bringing a firm line and pathos to his Act 2 romance. Her Marie is a bizarre combination of Edith Piaf, Giulietta Masina and Looney Tunes – a fiercely resilient tomboy who secretly wants to be a little wifey.
She won't be singing Strauss or Mozart but this is something one has to check out to see the full range of the star soprano.
For more details on La Fille Du Regiment see my preview.
Forty years ago, in Covent Garden’s previous version of this opera, Joan Sutherland and Luciano Pavarotti shone brightly as the vivandière Marie and her lover Tonio.
Today, I think Natalie Dessay and Juan Diego Florez eclipse them.
But she does a thoroughly stylish job, making this dotty old dame a study in faded elegance rather than frumpy fatness – a responsibility splendidly assumed by Dawn French in a hilarious OTT cameo as the revolting Duchesse de Crackenthorp.
Bruno Campanella conducts the confection with verve, and Elaine Kidd has efficiently revived Laurent Pelly’s production – a staging which, despite its richly inventive humour, at times almost takes the plot seriously. This is a show that rises or falls on the glow of its two stars.
Hear are some recording of the Nino Machaidze, Lawerance Brownlee and Kiri Te Kanawa so people can listen to their voices in case they don't know them.
This is one of my highlights of July as it is Nino Machaidze's debut on Sony Classical.