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In the Christian religion, the devil is the not-as-powerful antagonist of God.
Simone de Beauvoir's The Second Sex (1949), Betty Friedan's The Feminine Mystique (1963), Ms.
Magazine's first issue in 1972 in which Gloria Steinem famously put Wonder Woman on the cover, Susan Faludi's Backlash (1991), and more recent debates about Sarah Palm's footwear choices and Hillary Clintons pantsuits and political ambitions, indicates that the Woman Question is still with us and shows no sign of disappearing any time soon.
his ears were pale and at the tops extremely pointed” (Stoker).
One will also find that Dracula could also take the form of a bat, which presumably fulfills the winged aspect of the devil. Seward’s diary, Seward asks Van Helsing “Do you mean to tell me that Lucy was bitten by such a bat; and that such a thing is here in London in the nineteenth century? To which Van Helsing replies, in an extended way, that this is true.
As Bowena Mohr writes, "whatever is at stake in Stoker's novel--Englishness, class stability, gender and sexual identifications--it is a text that anxiously defends the social, political and sexual ideals of a conservative, middle-class, masculinist ideology" (80).
Constructs of feminine behavior, overlapping with the burgeoning field of psychology (marked by Breuer and Freud's 1895 Studies on Hysteria), created a fertile ground on which Dracula was created and can be interpreted.
The most notable of these perversions is the way in which Dracula is able to survive, taking blood from humans.
This could be taken to be a perversion of Communion.
Van Helsing uses various Christian symbols to defeat Count Dracula.
Given that Van Helsing and his posse are able to use the Christian imagery to drive Dracula back to Castle Dracula and eventually defeat him, Stoker might be suggesting that the power of the Christianity and the Christian God will always prevail in a match against evil and the devil.