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Fisher 108 134 156 v Contents 8 vi Mapping the Current Critical Landscape: Returning to the Renaissance Thomas Healy 175 Appendix: Teaching, Curriculum and Learning (Available at 189 Notes on Contributors Notes Digital Resources Works Cited Index 190 192 195 197 221 Detailed Table of Contents General Editors’ Introduction Introduction Susan Bruce Renaissance Timeline: 1485 to 1639 Rebecca Steinberger Part I: The Renaissance Period 1 2 The Historical Context of English Renaissance Literature: From Conﬂict to Creativity William J.
reign of Elizabeth I began in 1558 and ended with her death in 1603; she was succeeded by the Stuart king James VI of Scotland, who took the title James I of England as well.
English literature of his reign as James I, from 1603 to 1625, is properly called Jacobean.) These years produced a gallery of authors of genius, some of whom have never been surpassed, and conferred on scores of lesser talents the enviable ability to write with fluency, imagination, and verve.
Orchard Brief Overview Stephen Greenblatt, Renaissance Self-Fashioning: From More to Shakespeare (1980) Jonathan Dollimore, Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries (1984) Lisa Jardine, Still Harping on Daughters: Women and Drama in the Age of Shakespeare (1989) Bruce R.
Smith, Homosexual Desire in Shakespeare’s England: A Cultural Poetics (1991) Andrew Hadﬁeld, Literature, Politics and National Identity: Reformation to Renaissance (1994) Ania Loomba, Shakespeare, Race and Colonialism (2002) 5 Key Critical Concepts and Topics Nate Eastman Allegory Antimasque Ballad (Ballet) Bed Trick viii 61 63 63 64 67 70 72 75 78 81 84 87 87 88 92 95 97 101 104 108 109 110 110 111 Detailed Table of Contents Blank Verse Blazon Broadsheets Carnival Cavalier Poets Chapbooks City Comedy Class Close Reading Comedy Comedy of Humours Country House Poem Courtly Love (see Petrarch) Eclogue Elegy Emblem Books Epic Epigram Epithalamion Folio Genre History Humanism Interlude Lyric Masque Metaphysical Poetry Narrative Parody Pastoral Patronage Persona Petrarch/Petrarchan Courtly Love Problem Plays Protestantism Puritanism Quarto Revenge Tragedy Rhetoric Romance Satire Self-Fashioning Sonnet Theatres: Globe 112 112 112 113 113 113 113 114 114 114 116 116 117 117 117 117 117 118 118 118 119 119 119 120 120 121 122 122 123 123 124 125 125 125 125 126 126 126 127 127 128 129 129 130 ix Detailed Table of Contents Tragedy Tragicomedy 6 Critical Responses and Approaches to British Renaissance Literature Tita French Baumlin Preamble New Criticism to Structuralism Early Historicist Criticism Structuralism Rhetorical Criticism Psychoanalytic Criticism Reader-Response Criticism Deconstruction Feminist Criticisms Marxist/Materialist Criticism New Historicist Criticism (Cultural Poetics) Postcolonialist Criticism Gender Studies and ‘Queer Theory’ Postscript 7 Changes in the Canon Joshua B.
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If you own the copyright to this book and it is wrongfully on our website, we offer a simple DMCA procedure to remove your content from our site. Report copyright / DMCA form The Renaissance Literature Handbook Literature and Culture Handbooks General Editors: Philip Tew and Steven Barﬁeld Literature and Culture Handbooks are an innovative series of guides to major periods, topics and authors in British and American literature and culture.
Behind the Elizabethan vogue for pastoral poetry lies the fact of the prosperity of the enclosing sheep farmer, who sought to increase pasture at the expense of the peasantry.
Tudor platitudes about order and degree could neither combat nor survive the challenge posed to rank by these arrivistes.
In the brief, intense moment in which England assimilated the European Renaissance, the circumstances that made the assimilation possible were already disintegrating and calling into question the newly won certainties, as well as the older truths that they were dislodging.
This doubleness, of new possibilities and new doubts simultaneously apprehended, gives the literature its unrivaled intensity.