Freud Essay Medusa

Freud Essay Medusa-11
Table of Contents Two dynamic modes of inquiry are helping to make Classical Studies a livelier and more inclusive discipline in this new millennium.

Table of Contents Two dynamic modes of inquiry are helping to make Classical Studies a livelier and more inclusive discipline in this new millennium.

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The purpose of the volume, which is part of an OUP series "Classical Presences," is to explore how classical myth has influenced the development of feminist thought, and correspondingly how Classical Studies can be interpreted within a feminist framework.

The collection is interdisciplinary in nature and will not only be of interest to students and scholars of Classical Studies, but also of Women's Studies and Cultural Studies.

This collection of fifteen essays plus one short piece of fiction combines both these intellectual enterprises in a unique and well-timed volume that presents feminist scholars from other disciplines alongside Classicists whose work has been informed by feminist theory.

The project takes its title from the "The Laugh of Medusa," the foundational 1975 essay by feminist poststructuralist Helene Cixous.

Iliad 6.356) as a subversive critique not only of a war fought for a woman but of any war fought for any reason.

Gregory Staley's excellent contribution, "Beyond Glorious Ocean: Feminism, Myth and America," builds on Cixous' characterization of woman as "the dark continent" to consider the conceptualization of America as feminine.

In "Antigone and the Politics of Sisterhood," Simon Goldhill reflects on the centrality of Antigone to influential feminist projects such as those of Irigaray and Butler, but wonders why feminism has all but written her sister, Ismene, out of the text.

Goldhill poses a challenge to recent analyses of Sophocles' tragedy by questioning why they privilege the relationship between brother and sister yet ignore Antigone's treatment of her sister.

In a witty, perceptive analysis Sharrock focuses on an extended simile of a mother cow searching for her lost calf as a possible analog for the philosopher.

Yet the atoms, points out Sharrock, the real agents of the poem are (despite their neuter grammatical gender), apparently male, or at least take on masculine roles such as soldiering.

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