Ghost Dances Themes Essay

Ghost Dances Themes Essay-6
The Vangeline Theater, a Butoh dance group, celebrated its 10th anniversary on February 1 and 2 at the Triskelion Arts Aldous Theater; both nights were sold out, with more people waiting in line for standby tickets.On the second night, Saturday, the 74-person-capacity theater had viewers sitting in the aisles, brushing against those in the rows of seats, with still more people with their backs against the walls of the black box.

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For example, in Beloved, Morrison uses a ghost to tell readers about life on slave ships—in this regard, says Brogan, these stories explore the inner workings of not only individuals but also a social and historical consciousness.

Despite the setting — a small stage filled with nine dancers — there was a feeling of separateness and sadness.

Like Coco, each of these dancers stood in one place and made what could best be described as bodily movements or actions, such as bending at the waist, moving the arms, or tilting the head — small, jerking movements that looked more like expressions of pain than what someone might ordinarily associate with dance.

Vangeline’s placement of the dancers was extremely well done, an example of an experienced choreographer using performers to not just fill a space but to convey meaning through it.

However, according to critic Jack Sullivan, it was the period between the late nineteenth century and the end of World War I that produced some of the best work in the genre.

Sullivan lists authors such as Sheridan Le Fanu, M. James, Algernon Blackwood, Robert Louis Stevenson, and Bram Stoker among those who helped develop the intricacies of the genre.

They contrasted with Coco in that their faces were visibly expressive and sorrowful, and they wept together.

Each of these performers also had a thin stick in her mouth, which I assume represented gagging, an inability to vocalize pain.

While most ghost stories focus on the supernatural, many of them have their origins in oral literature or folklore.

This is especially true of Japanese kaidan tales and various European ghost stories as well.


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