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One method Keats highly developed the premise of illicit love was to use intense forms of imagery. This allows Keats the opportunity to utilize the ode into a much deeper understanding of symbolism.
He will never reach her to kiss her, but her beauty will never fade nor will his love for her.
Another example of this is all of Stanza IV: Who are these coming to the sacrifice?
Anther quality of Romanticism is movement and action.
By describing the still life painted onto the urn as if it were living, Keats makes it as though he is watching the scenes play out to him as he spins the urn.
The urn, passed down through many centuries portrays the image that everything that is going on on the urn is frozen.
In the first stanza, the speaker, standing before an ancient Grecian urn uses apostrophe when he speaks to the urn as if it is alive.In the poem Ode on a Grecian Urn, John Keats uses imagery, symbolism, and tone to advance the theme of forbidden love. It is soon brought into a sharp, detailed focus that the urn depicts two young lovers.An assemblage of vigorous passion is compellingly portrayed on cold, motionless stone numerous times throughout the poem. "Fair youth, beneath the trees, thou canst not leave.John Keats "Ode on a Grecian Urn" demonstrates many of the characteristics of a romantic piece of literature.The form of the poem is an Ode addressed to an inanimate object.He wonders where they are going "To what green altar, O mysterious priest...", and where they have come from.He imagines their little town, without the villagers, and tells it that its streets will "for evermore" be silent, for those who left it, frozen on the urn, will never return.The speaker describes the pictures as if they are frozen in time.It is the "still unravish'd bride of quietness," "foster-child of silence and slow time." He speaks to the urn and not about the urn, he treats the urn like it is listening to him like a human.He uses imagery to show the reader exactly what he is seeing throughout the poem.His use of the phrase: Bold lover, never, never canst thou kiss, Though winning near the goal--yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!