Second, the artist must intentionally produce an external artwork, which transmits feeling and emotions to the audience.Finally, the artwork must portray the same emotions that the author intended.
The first notarized expressionistic philosopher was the Russian novelist Leo Tolstoy who was followed by his counterpart R. Collingwood: a twentieth-century English philosopher. Together they hold the two best known expositions of the expression theory.
What make these two analyzers important is not what they agreed on, but rather on how they contrasted.
Art has evolved and regenerated itself many times during our human existence.
These differences are defined through changes in styles under various theories.
” They attempt to conclude this question, by providing the answers to a few others. How do we determine its value to the public, since art is a social aspect of life?
For Tolstoy, the value of art comes from the function art serves in society and in human historical development.During the nineteenth and early twentieth century, a style known as Expressionism became popular.During this movement the artists were trying to use their artwork as a tool of expression toward life.It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music.It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist.Following, would be the artist’s feelings and the art’s universality.Here the value of art is in its enrichment of man culturally.“It is remote from the objective or realistic portrayals of the world, as well as from the happier emotions.” To bring a more defined meaning to the overall theory of expressionism, two philosophers play a large role.This concept conflicts with the arousal methods that are planned.For him, both the artist and the audience are equals.